Posts Tagged: The Walls Are Screaming

Making America Great Again XVIII

UK // AUGUST 2017

Fuck Everything XXII

GERMANY // AUGUST 2017

And the Clocks Were Striking Thirteen XIII

HONG KONG // JULY 2017

Entartete Kunst XIV

FRANCE // AUGUST 2017

The Walls Are Screaming XXXXII

FRANCE // AUGUST 2017

The Walls Are Screaming XXXXI

THAILAND // JUNE 2015

The Walls Are Screaming XXXX

UK // JUNE 2014

The Walls Are Screaming XXXIX

As Thais experience more and more military surveillance, it is wise to keep one’s political views to oneself.

THAILAND // JUNE 2015

The Walls Are Screaming XXXVIII

UK // JULY 2017

And The Clocks Were Striking Thirteen X

A reminder of social injustice – Oxford Street, London

UK // JULY 2017

I Fall On My Knees Every Sunday XV

Meanwhile, back in Thailand, depiction of unpalatable suffering in Buddhist temple.

THAILAND // JANUARY 2016

The Walls Are Screaming XXXVIII

As unlikely as this may seem, the House of Sanitary Plumbing is in Kolkata. Far more sanitary than the White House, incidentally.

INDIA // JULY 2016

The Walls Are Screaming XXXVII

CAMBODIA // MAY 2017

The Walls Are Screaming XXXVI

CAMBODIA // MAY 2017

Panem et Circenses VIII

HONG KONG // JUNE 2017

The Walls Are Screaming XXXV

CAMBODIA // MAY 2017

And The Clocks Were Striking Thirteen VIII

Che Guevara and Bill Gates on top of Audrey Hepburn…an unholy 20th century ménage à trois

HONG KONG // JUNE 2017

Obey III

HONG KONG // JUNE 2017

The Walls Are Screaming XXXIV

THE PALESTINIAN TERRITORIES // MAY 2012

The Walls Are Screaming XXXVII

CZECH REPUBLIC // APRIL 2012

The Walls Are Screaming XXXVI

FRANCE // OCTOBER 2012

Entartete Kunst XII

Tattoo artist Ona Cots in front of her mural in progress in Siem Reap.

CAMBODIA // MAY 2017

The Walls Are Screaming XXXV

UK // MARCH 2015

Love in the Age of Intolerance XII

KTV Karaoke cum brothel entertainment gulag in Siem Reap, Cambodia

CAMBODIA // MAY 2017

The Walls Are Screaming XXXIV

Perfection Offends the Gods, Stay Simple, Get Weird

CAMBODIA // AUGUST 2015

The Walls Are Screaming XXXIII

THE PALESTINIAN TERRITORIES // MAY 2012

The Walls Are Screaming XXXII

SPAIN // AUGUST 2009

Entartete Kunst VIIII

THAILAND // MAY 2017

The Walls Are Screaming XXXI

INDIA // AUGUST 2016

Entartete Kunst VIII

INDIA // AUGUST 2016

The Walls Are Screaming XXX

GERMANY // OCTOBER 2016

The Walls Are Screaming XXIX

INDIA // OCTOBER 2016

Fuck Everything XVII

”I am not as nasty as racism, fraud, conflict of interest, homophobia, sexual assault, transphobia, white supremacy, misogyny, ignorance, white privilege, … your daughter being your favourite sex symbol, like your wet dreams infused with your own genes. Yeah, I’m a nasty woman – a loud, vulgar, proud woman.”

Nina Donovan, Nasty Woman

GERMANY // OCTOBER 2016

The Walls Are Screaming XXVIII

INDIA // AUGUST 2016

The Walls Are Screaming XXVII

The death of ideas.

INDIA // JULY 2016

The Walls Are Screaming XXVI

On a night of storms, I opened the door and the window
To see the hardened moon of our nights.
I said to the night: Run out,
Beyond the darkness and the wall;
I have a promise to keep with words and light.
You are my virgin garden
As long as our songs
Are swords when we draw them.
And you are as faithful as grain
So long as our songs
Keep alive the fertile soil when we plant them.
You are like a palm tree in the mind:
Neither storm nor woodsman’s ax can fell it.
Its braids uncut
By the beasts of desert and forest
But I am the exiled one behind wall and door,
Shelter me in the warmth of your gaze.

Take me, wherever you are,
Take me, however you are.
To be restored to the warmth of face and body,
To the light of heart and eye,
To the salt of bread and song,
To the taste of earth and homeland.
Shelter me in the warmth of your gaze,
Take me, a panel of almond wood, in the cottage of sorrows,
Take me, a verse from the book of my tragedy,
Take me, a plaything or a stone from the house,
So that our next generation may recall
The path of return to our home.

Mahmoud Darwich, A Lover From Palestine [excerpts]

PALESTINIAN TERRITORIES // MAY 2012

Fuck Everything XVI

THAILAND // OCTOBER 2016

The Walls Are Screaming XXV

Eastern Europe’s racist howl: A poster on a wall in Breslau, Poland, depicting German centre right chancellor Merkel as Hitler while protesting against gays, Muslims, ISIS, mosques and the Euro.

POLAND // SEPTEMBER 2016

The Walls Are Screaming XXIV

Come on baby, eat the rich,
Put the bite on the son of a bitch,
Don’t mess around, don’t give me no switch,
C’mon baby eat the rich

– Motörhead

GERMANY // OCTOBER 2016

The Walls Are Screaming XXVI

FRANCE // SEPTEMBER 2016

The Walls Are Screaming XXIII

Indian movies – never a dull moment.

INDIA // AUGUST 2016

And The Clocks Were Striking Thirteen II

Resistance is futile. Resistance is everywhere.

SPAIN // AUGUST 2010

The Walls Are Screaming XXII

SPAIN // AUGUST 2010

The Walls Are Screaming XXI

THAILAND // JANUARY 2017

Entartete Kunst VI

Poster of theatre perfomance, part of an exhibition about Polish writer Tadeusz Różewicz in Breslau.

POLAND // SEPTEMBER 2016

The Walls Are Screaming XX

SRI LANKA // MAY 2016

Fuck Everything XIV

THAILAND // JANUARY 2016

The Walls Are Screaming XVIIII

Ferdinand Marcos was president of the Philippines from 1965 to 1986, when he was overthrown by a revolt – dubbed the People Power revolution – and forced to flee into exile to Hawaii, where he died in 1989.

His body was returned to the Philippines in 1993 and has since been kept in a refrigerated crypt in a mausoleum in his hometown of Batac, Ilocos Norte, 470km north of Manila.

In 2004, Transparency International, the anti-corruption watchdog, named Marcos the second most corrupt leader of all time, behind Indonesian authoritarian ruler Suharto.

Despite public opposition, Marcos was buried in a heroes’ cemetery in the capital in a ceremony shrouded in secrecy in November 2016.

Text by Al Jazeera

Guest post by Andrew Marshall

THE PHILIPPINES // JANUARY 2017

The Walls Are Screaming XVII

MOROCCO// OCTOBER 2016

Animal Farm X

Guest post by Les Piéchels

FRANCE // FEBRUARY 2017

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